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Volume 8, Issue 1 (2024)

Full Issue

Volume 8, Issue 1

Articles

“The invulnerable tide”: Water, Nation, and Nature in Yeats
Nels C. Pearson

Translation as a Tool for Interpretation: Hebrew-Language Translations of Yeats’s “The Second Coming”
Irina Ruppo

“Man Is Nothing Till He Is United to an Image”: On Truth, Lies, and the Nietzschean Mask in Yeats’s The Player Queen
Adam Roberts

What Is to Be Done? The Mystical Nihilisms of Yeats’s Where There Is Nothing, The Unicorn from the Stars, and The Hour-Glass
Stephen Cheeke

Envisioning a Yeats Poetry Digital Archive
Rob Doggett

Adding in Commentary: One Word-Hoard, Two Periods, Three Clusters, Four Dimensions: A Yeats Knowledge Site
Warwick Gould

Rapallo Notebook D: Diary Notes, Poetry, and Other Writings
Wayne Chapman and Neil Mann

Reviews

A Review of Irish Culture and “The People”: Populism and Its Discontents by Seamus O’Malley
Francis Hutton-Williams

A Review of Gender, Performance, and Authorship at the Abbey Theatre by Elizabeth Brewer Redwine
Hannah Simpson

A Review of Lady Gregory’s Early Irish Writings, 1883–1893 edited by James Pethica
Anna Pilz

Contributors

Notes on Contributors

Editors

General Editor: Rob Doggett,
SUNY, Geneseo
Book Reviews Editor: Tara Stubbs,
University of Oxford

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ISSN: 2475-9627

Clemson University Press

Yeats Portrait copyright holder Bri Hermann. All rights reserved. This image may not be reproduced or used in any manner without the express written permission of the copyright holder.