Skip to main content

Volume 9, Issue 1 (2025) Yeats and the Nobel Prize

Full Issue

Volume 9, Issue 1, Full Issue

Articles

Table of Contents

Introduction: Yeats and the Nobel Prize
Charles I. Armstrong and Joakim Wrethed

Yeats, the Nobel Prize, and the Labor of Writing
Marjorie Howes

Contextualizing a Nobel Prize: Yeats and His Swedish Audience, 1891–1924
Lars-Håkan Svensson

"A Vast Design” of Artistic Unity: Yeats and the City Hall
Yuki Takahashi

The Reluctant Tourist: Genre and Popular Culture in The Bounty of Sweden
Charles I. Armstrong

The Nobel Prize, Spectral Aesthetics, and Alchemy in Yeats and Strindberg
Joakim Wrethed

“Such Friends”: The Fay Brothers, Allgood Sisters, and Yeats’s Nobel Lecture
Matthew Fay

Yeats, Tagore, and the Nobel Prize in Literature: Imprimaturs in Modernist Cultural Conversations
Ragini Mohite

Yeats and Heaney’s Noble Words
Geraldine Higgins

The Immobile Nobility of “Life Herself ”: Silence and Stillness in “The Irish Dramatic Movement,” The Bounty of Sweden, and New Poems
Wit Pietrzak

Reviews

A Review of Yeats, Revival, and the Temporalities of Irish Modernism by Gregory Castle
Tom Walker

A Review of The Edinburgh Companion to W. B. Yeats and the Arts edited by Charles I. Armstrong, Adrian Paterson, and Tom Walker
Rob Harris

Yeats, Asia, and the Occult: A Review of Recent Scholarship A Review of Modern Writers, Transnational Literature: Rabindranath Tagore and W. B. Yeats, by Ragini Mohite; A Review of Making the Void Fruitful: Yeats as Spiritual Seeker and Petrarchan Lover, by Partick J. Keane; A Review of W. B. Yeats and Mysticism, by Faisal Al-Door
Matthew Eatough

Contributors

Notes on Contributors

Editors

General Editore: Rob Doggett, SUNY Geneseo
Guest Editors: Charles I. Armstrong, University of Agder; Joakim Wrethed, Stockholm University
Book Reviews Editor: Tara Stubbs, University of Oxford

Select an issue:

Search

Advanced Search

ISSN: 2475-9627

Clemson University Press

Yeats Portrait copyright holder Bri Hermann. All rights reserved. This image may not be reproduced or used in any manner without the express written permission of the copyright holder.