Date of Award

5-2026

Document Type

Thesis

Degree Name

Master of Arts (MA)

Department

English

Committee Chair/Advisor

Dr. David Coombs

Committee Member

Dr. Megan Eatman

Committee Member

Dr. Michelle Smith

Abstract

In a world of digital platforming, those who adhere to the trend of dark academia seek a kind of virtual community through their reposted poems and their meticulously curated Pinterest boards, engaging with literature that follows these markers of the subculture to languish in what Mitch Therieau calls a “diffuser of atmosphere,” or a vibe rather than a mode of action.  Donna Tartt’s The Secret History is often celebrated as the ‘ur-text’ for the dark academia aesthetic. However, to place The Secret History as solely a forefather to the dark academia aesthetic would be to ignore her greater commentary on the social contentions surrounding the state of the contemporary university. Tartt explores the contradictory nature of the contemporary collegiate space through her reinstitution of the gothic modes of navigating social conflict, while simultaneously highlighting the evolution of the collegiate space as a valid setting for a gothic novel to occur. By intersecting these two forms which view setting in contradictory lights of beauty and terror, Donna Tartt’s The Secret History establishes a new kind of gothic subgenre, coined in this thesis as the collegiate gothic. This subgenre invoked by Tartt works to recognize the death of the institutional ivory tower through the very same principles of selfish disconnection and elevated knowledge that created its appeal.

Available for download on Monday, May 31, 2027

Share

COinS