Date of Award
8-2024
Document Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Digital Production Arts
Committee Chair/Advisor
Eric Patterson
Committee Member
Anthony Penna
Committee Member
Anthony K Summey
Abstract
This MFA thesis explores the intricate interplay between physical and digital realms within the realm of artistic creation. The investigation delves into three distinct tasks, each serving as a unique facet of the overarching theme. Firstly, a physical snake sculpture crafted from clay becomes the focal point of a transition from the tangible to the digital through the innovative process of photo scanning within a light sphere. This transformative journey from the physical to the digital realm unveils the potential for seamless integration between traditional and contemporary artistic mediums. The second task involves the creation of a digital character meticulously sculpted using digital tools, culminating in the production of a 3D-printed resin mold. This mold, in turn, serves as the foundation for a stop-motion maquette, effectively bridging the gap from the digital landscape to a tangible, physical form. This process underscores the reciprocity inherent in the relationship between the digital and physical domains. The final undertaking showcases the synthesis of both worlds through the conception of a hybrid digital and physical diorama. This innovative creation seamlessly intertwines elements from the physical and digital spheres, providing a holistic representation of the reciprocal relationship between the two mediums. The dioramas serve as synergistic hybrid of the two artistic methods and aims to show how one can heighten the other. In essence, this thesis contributes to the discourse surrounding art integration workflows, shedding light on the dynamic intersections between the physical and digital realms. Through a comprehensive exploration of these integration processes, the study aims to inspire new avenues of artistic exploration and foster a deeper understanding of the synergies between traditional and contemporary artistic methodologies.
Recommended Citation
Miller, David, "A Study on Physical and Digital Art Intergration Workflows" (2024). All Theses. 4336.
https://open.clemson.edu/all_theses/4336